Aging Young Women Lyrics
[Verse 1]
Let it go, let it be
Just take that flight, and make a decision to leave
All the soil in this maze
I wanna put it in a state of grace
[Chorus]
And we're getting older by the hour (Ooh)
And every year, we have more fear
Ooh, that the dream of the future
Oh, will slowly disappear
[Verse 2]
See me up, and set me free
You've been given time, but this bird cannot leave
All the love of the soil
It granted time and gave us full control
[Chorus]
And we're getting older by the hour
Ooh, and every year, we have more fear
Ooh, that the dream of a family
Ooh, will slowly disappear
[Bridge]
In the church, when we cry
Some fallen angels told us to keep our heads high
But one said, "You will burn on the stake
In the crumbled chest of a kindness, your heart will break"
[Chorus]
And we're getting older by the hour
Ooh, and every year, we have more fear
Ooh, that the dream of the future
Ooh, will slowly disappear
And we're getting older by the hour
Ooh, and every year, we have more fear
Ooh, that the dream of a family
Ooh, will slowly
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Aging Young Women Song Meaning (Anna von Hausswolff)
With its bittersweet melody and gothic emotional undertone, “Aging Young Women” emerges as one of the most arresting moments on Anna von Hausswolff’s sixth studio album, "Iconoclasts", released October 2025 via YEAR0001. Partnering with alt-pop auteur Ethel Cain, von Hausswolff delivers a reflective meditation on time, unfulfilled aspirations, and the quiet ache of becoming older while still feeling youthful. According to von Hausswolff herself, it reflects “when the passing of time becomes a negative notion due to unfulfilled dreams and a feeling that a tainted situation is impossible to change to the contrary.”
Artist Background
"Anna von Hausswolff", a Swedish songwriter and composer known for her haunting organ-based soundscapes and experimental textures, steps into slightly more pop-accessible terrain on Iconoclasts—though still with her trademark dramatic sweep. "Ethel Cain", the American singer-songwriter celebrated for her Southern-gothic narratives and atmospheric blend of rock, ambient, and Americana, adds a voice of yearning and darkness.
The collaboration marries von Hausswolff’s rich, expansive sonic architecture with Cain’s emotional vulnerability, creating a track that feels both cinematic and deeply personal.
Exploring the Lyrics
From the opening lines, “Let it go, let it be / Just take that flight, and make a decision to leave,” the song sets its tone: a plea to release what holds you back, to depart from “the soil in this maze” and seek a state of grace. The imagery evokes entrapment, expectation, and the longing for escape.
The chorus, with its refrain “we’re getting older by the hour / … every year, we have more fear / that the dream of the future … will slowly disappear,” captures the core conflict: youth’s promise colliding with the reality of time passing and the pressure of hopes unfulfilled. The song doesn’t just lament aging; it mourns the dying of a dream.
In the second verse, the lyric “this bird cannot leave / all the love of the soil / It granted time and gave us full control” reflects on inheritance—of love, of roots—but also the contradiction of autonomy and constraint. The “soil” is nurturing yet grounding; the bird wishes to fly but finds tethered wings.
The bridge provides a gothic flourish: “In the church, when we cry / Some fallen angels told us to keep our heads high / But one said, ‘You will burn on the stake / In the crumbled chest of a kindness, your heart will break.’” Here religion, martyrdom, and faltering faith weave together. The “fallen angels” suggest warnings or voices of experience; the threat of burning on the stake becomes metaphorical for the suffering of hope betrayed.
Finally, the dual choruses revisit the earlier motifs, now offset by repeating the “dream of a family” alongside “dream of the future.” It signals that the passage of time affects not only personal ambition but also the social and emotional milestones we internalize—forming one’s own family, legacy, and belonging.
Meaning and Emotional Core
At its heart, “Aging Young Women” is a commentary on the cultural and psychological pressure that hits women (and indeed anyone) as time moves on—the mounting fear that the windows for certain dreams are closing, that youth’s optimism is fading, that society’s expectations of career, relationships, and identity loom ever larger. Von Hausswolff said the song tackles “the passing of time” as “a negative notion” when dreams remain unfulfilled.
For the listener, the track functions not only as catharsis but as recognition: understanding that the anxiety of aging isn’t purely physical—it’s existential. The song invites us to feel the tension between the soaring ambition of youth and the quiet weight of accumulated years.
Sonically, the collaboration adds layers of meaning. The saxophone-heartbeat opening gives it a pulse of mortality, while the shift into goth-pop becomes the emotional register of surrender combined with defiance.
In the Artist’s Arc
For Anna von Hausswolff, this song marks a pivot—stepping from the austere drone and organ-heavy compositions of her past into something more direct and emotionally immediate, though still sonically rich. The Guardian described Iconoclasts as her pivot toward pop and identified “Aging Young Women” as the most straightforward track with radio potential.
For Ethel Cain, the collaboration reinforces her status as an artist whose voice is shaped by themes of longing, transformation, and impermanence. Her presence in the song gives voice to those young women—caught in the mirror of time—whose dreams feel simultaneously alive and slipping away.
Conclusion
“Aging Young Women” is at once elegy and invocation. It honors the vulnerability of dreams, the inevitability of years, and the resistance against letting go of hope. In less than five minutes, Anna von Hausswolff and Ethel Cain hold space for that tension: the fear that the future will vanish, and the defiant longing that it might yet be reclaimed.
For any listener who’s felt the weight of time pressing in while still carrying the fire of what could be, this song speaks with clarity, daring, and compassion.
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FAQ Section
Who sung the song "Aging Young Women" by Anna von Hausswolff?
The song "Aging Young Women" was sung by Anna von Hausswolff & Ethel Cain.
Who wrote the song "Aging Young Women" by Anna von Hausswolff?
Anna von Hausswolff.
Who produced the song "Aging Young Women" by Anna von Hausswolff?
Anna von Hausswolff & Filip Leyman.
Music Video
Song Details
Artists: Anna von Hausswolff, Ethel Cain
Album: ICONOCLASTS
Genre: Rock
Language: English
Released: October 29, 2025
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