KPop Demon Hunters Soundtrack Dominates Global Charts, Redefining K-pop’s Reach

The Global Takeover


The soundtrack to Netflix’s animated musical "KPop Demon Hunters" is dominating charts worldwide, with songs by fictional groups HUNTR/X and Saja Boys topping Billboard, Spotify, and official national rankings. The global success has ignited a fresh conversation: is K-pop’s transnational reach reshaping how we consume music — even that which is fictional?

From Screen to Soundtrack

Released on June 20, 2025, "KPop Demon Hunters" merges fantasy action with K-pop spectacle. The story centers on HUNTR/X — a powerhouse girl group by day, demon hunters by night — pitted against a rival boy band, the Saja Boys. The film is co-directed by Maggie Kang and Chris Appelhans and produced by Sony Pictures Animation in partnership with Netflix.

From the start, Demon Hunters leaned into music as more than accompaniment — the songs are integral to plot and character arcs. Producer Ian Eisendrath designed tracks like “How It’s Done” and “Golden” to function like standalone K-pop hits while serving narrative beats. Even the soundtrack rollout mirrored standard pop strategy: the single “Takedown,” performed within the film by TWICE members Jeongyeon, Jihyo and Chaeyoung, was released ahead of the full album drop.

KPop Demon Hunters Soundtrack Dominates Global Charts, Redefining K-pop’s Reach
KPop Demon Hunters (Image source: Instagram) 

Chart-Topping Success

The "KPop Demon Hunters" soundtrack debuted at No. 8 on the U.S. Billboard 200 with 31,000 equivalent units, making it the highest-debuting soundtrack in the U.S. in 2025. In its second week, the album climbed to No. 3 — becoming the year’s most elevated soundtrack — and later ascended to No. 2 and ultimately reached No. 1, becoming the first soundtrack to top Billboard 200 in three and a half years. The release also captured the No. 1 spot on Billboard’s Soundtracks chart.

On the singles side, Demon Hunters tracks have flooded the Billboard Hot 100. In a landmark moment, “Golden” by fictional group HUNTR/X hit No. 1, becoming the first female-led K-pop song to reach the top spot and only the ninth K-pop–affiliated track ever to do so. That success coincided with four of the soundtrack’s songs simultaneously occupying top-10 positions on the Hot 100 — a feat not seen from a film soundtrack since Waiting to Exhale in 1995. The album boasts eight tracks entering the Hot 100 in multiple weeks, with “Golden,” “Your Idol” (by Saja Boys), “Soda Pop,” and “How It’s Done” among its most successful.

Outside the U.S., impact has been substantial. In the UK, “Golden” became only the second K-pop song ever to top the Official Singles Chart after PSY’s “Gangnam Style” in 2012. Meanwhile, “Your Idol” reached No. 1 on Spotify’s U.S. Daily Top Songs chart, joining a short list of K-pop tracks that have ever done so. On Spotify globally, Saja Boys charted at No. 4 and No. 8 in the daily Top 50 Global list.

Ejae — the singer-songwriter who provides the voice and co-wrote “Golden” with Mark Sonnenblick — told MusicRadar the melody came almost spontaneously en route to a dentist appointment, and that the track itself was reworked many times before final inclusion.

In the U.S., the soundtrack has also been certified Platinum by the RIAA, with five individual tracks achieving milestone certifications on their own — including “Golden” reaching double platinum.

Fan Reactions and Critical Buzz

On Reddit and in fan communities, the reaction has been electric. A post in r/kpop celebrated the soundtrack’s rise to No. 2 on the Billboard 200, with fans sharing streaming strategies and clamor for physical editions. Social media has flooded with covers: dance routines, vocal renditions, and animated TikTok reels based on Demon Hunters tracks — particularly “Golden” — are pervasive.

Critics have responded favorably. The Washington Post described the moment as transformative, noting that Huntr/X has conquered the Billboard Hot 100 with “Golden,” becoming the first K-pop girl group in Billboard history to claim the No. 1 spot. Billboard itself framed the soundtrack as breaking a longstanding hit soundtrack drought. Some reviewers have drawn parallels with Encanto in how its songs transcended the film to become cultural touchstones.

Industry Shift and Global Impact

The success of "KPop Demon Hunters" is evidence of an evolving model: music born from fictional narratives but operating like real-world pop. In this setup, the boundaries between fictional act and actual artist blur — streaming algorithms don’t care about origin, only engagement.

For K-pop globally, this pushes the envelope further. In the past, Korean labels have experimented with virtual idols or subunits like aespa’s Naevis, but Demon Hunters demonstrates that a narrative framework can successfully launch chart-topping songs. The fact that streaming and chart success hold even though HUNTR/X and Saja Boys are not real groups underscores how fandom dynamics, playlist algorithms, and narrative immersion can elevate music absent a conventional artist.

On the industry side, this could prompt labels and studios to further integrate music-centric storytelling — animated or otherwise. The project’s success may encourage more multimedia launch strategies that treat virtual bands with the same expectations as real ones. For artists, playback platforms, and rights holders, tracks tied to narrative IP are now proving to be hit-generating entities in their own right.

What Comes Next

"KPop Demon Hunters" has already stretched into other spaces. Netflix is hosting sing-along theatrical events, and a sequel or wider franchise expansion is reportedly under consideration. As for the music, fans are awaiting physical editions, remixes, collaborations with real-life K-pop artists, or even concert events staged in the names of HUNTR/X and Saja Boys.

If nothing else, Demon Hunters has forced music executives and streaming platforms alike to reckon with an era in which a fictional band can out-chart real ones — and where K-pop’s global structures are no longer bound by nationality or medium.