Hypernormalisation Lyrics
[Intro]
(You did good, Slick)
(It's a smash)
(DJ Rapture, start a fight in this motherf*cker)
[Chorus]
Yeah, you know I'm from that Northside, Northside
B!tch, you know I'm from that Northside, Northside
Ho, you know I'm from that Northside, Northside
They f*cking know I'm from that Northside, Northside
[Verse 1]
Quick to pull up, show a b!tch who they ain't f*cking with (Ayy, skrrt)
Until you motherf*ckers love me, go on and suck my d!*k
I stay beating down these p*ssies like I'm p*ssy-whipped
I be fiendin' for that violence like I'm f*cking sick
Boy, you got the right one
Motherf*cker asked me, "Where the opps?" So I light one
Ask a motherf*cker wherе his opps, he couldn't cite none
Rob a mothеrf*cker while I'm looking like a white nun
Retarded, yeah, my type dumb
I can't wait till Christ come
Don't get me f*cked up now because these days, I say my grace
Sometimes you gotta let it fall apart to fall in place
Tattin' crosses, tryna cover up my demon face
Don't let my demon wake, huh
$uicide, motherf*cker, come die, motherf*cker ($ui—)
F*ck a high, I get euthanized, motherf*cker
Probably come back from the dead 'fore I ever get replaced, yeah
I might see the grave, but the world forever Grey
[Chorus]
B!tch, you know I'm from the Southside, Southside
B!tch, you know I'm from the Southside, Southside
Yeah, you know I'm from the Southside, Southside
B!tch, you know I'm from the Southside, Southside
[Verse 2]
The older I get, the more bitter my breath
I'm growing colder and more of a loner, grippin' my death
I used to duck out from a bag of dope, spit on my chest
Ghosts floating in the hall, vision twisted and bent, uh
Lord, forgive me for what I'm 'bout to do
(For what I'm 'bout to do)
Them pills calling my name, singing the blues
(They always sing the blues)
I'm gonna pop it once, eh, maybe a few
(Maybe pop a few)
The scales on my eyes alter the view
The devil whispers in my ear, "I know exactly what you fear"
Them chumps talking shit, uh-huh, you just didn't hear 'em good
Why they looking at you? Why they even coming near your hood?
This your territory, prove it to 'em, man, I think you should"
Man, I'm f*cked up and paranoid (And paranoid)
Possessed by demons when I entered the void
(Entered the void)
Head full of noise, which one's my voice?
(Which one's my voice?)
The grass is greener and I had a choice
________________ End ________________
Hypernormalisation Song Meaning ($uicideboy$)
“Hypernormalisation” appears as a standout track on "THY WILL BE DONE", the surprise December 25, 2025 release from American rap duo $uicideboy$ (Ruby da Cherry and $crim). This project, released via G*59 Records, serves as a spiritual and stylistic continuation of themes the duo explored earlier in 2025, touching on pain, transformation, and self-examination. The album moves beyond traditional dark trap toward more introspective territory laced with faith, metaphor, and emotional extremity. "THY WILL BE DONE" reflects an evolution in the group’s songwriting, shaped by both their struggles with addiction and public evolution toward accountability and, in some moments, gratitude.
Inspiration and Real-Life Context:
In 2025, $uicideboy$ publicly integrated themes of recovery, faith, and personal growth into their work more visibly than ever before. Both members have discussed sobriety and spiritual reflection during tour stops and in social media posts, framing "THY WILL BE DONE" as not merely another rap album but a document of transition. Biblical imagery and allusions to redemption weave through the project, juxtaposed with the familiar grim landscapes of struggle that have long defined their sound.
Lyrical Meaning:
Opening with a mantra of territorial identity and defiance, “Hypernormalisation” confronts self-assertion amid chaos. The Northside and Southside refrains function as more than geographic markers; they symbolise roots, conflict, and loyalty that have shaped the duo’s identity. This repetition establishes a psychological ground zero where rage, pride, and survival intermingle, setting the stage for the verses that follow.
In the first verse, $crim delivers lines saturated with confrontation and internal irony. His verse reflects not just bravado but a raw articulation of emotional wounds. There’s a sense of relentless self-battle — an embrace of aggression as both shield and symptom of deeper unrest. The juxtaposition of violence with personal weakness and the fascination with destructiveness evokes the long-standing tension between resilience and self-destruction in their work. This mirrors their broader narrative arc of grappling with addiction and mental turmoil while navigating artistic success.
Shifting perspectives, Ruby da Cherry’s verse deepens the thematic complexity by moving the focus from external conflict to internal disintegration. His words navigate bitter self-reflection, alienation, and a haunting dialogue with substance dependence. This introspection extends beyond simple confession; it immerses the listener in fragmented perceptions, paranoia, and a haunting sense of inevitable decay. These elements combine to portray an artist caught between surrender and defiance, between past habits and an uncertain present.
Throughout the track, recurring themes of altered perception — whether through substance, existential fear, or spiritual longing — reveal an emotional core that is at once personal and universal. The duo channels moods of desperation and longing into a larger expression of human fragility. In doing so, “Hypernormalisation” becomes less a story about specific events and more an exploration of psychological rupture and endurance.
Emotional Core and Themes:
At its heart, “Hypernormalisation” channels the raw tensions of identity, addiction, and existential unrest. Its emotional weight doesn’t stem solely from lyrical aggression but from the way that aggressiveness, fear, and pain are interwoven with vulnerability and reflection. The song unsettles because it doesn’t offer easy closure — it mirrors the way personal turmoil often resists neat resolution. The result is a powerful portrayal of conflicted selfhood, voiced through visceral imagery and gritty lyrical precision that the duo has refined over their career.
Connection with Listeners:
The resonance of “Hypernormalisation” lies in its unflinching honesty. Fans of $uicideboy$ have long connected with their willingness to explore despair, addiction, and alienation without romanticising those experiences. Here, that connection is deepened through a sharper interplay between self-assertion and introspective vulnerability. Listeners who have witnessed the duo’s public journey toward recovery and spiritual reintegration will likely find the track’s emotional candour a reflection of both personal and collective struggle.
Conclusion:
“Hypernormalisation” stands as a compelling illustration of $uicideboy$’s evolving artistry. Rooted in the dark intensity that first drew fans to the duo, the song expands toward introspection, spiritual tension, and the psychological landscape of survival. It is a visceral expression of inner conflict — one that captures both the chaos of lived experience and the hard-won clarity that sometimes emerges from it. Ultimately, the track embodies the larger forces shaping THY WILL BE DONE: a candid confrontation with pain, identity, and what it means to persist.
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FAQ Section
Who sung the song "Hypernormalisation" by $uicideboy$?
The song "Hypernormalisation" was sung by $uicideboy$.
Who wrote the song "Hypernormalisation" by $uicideboy$?
Scott Arceneaux Jr., Aristos Petrou, KXVI, ACCULBED & justinbirol.
Who produced the song "Hypernormalisation" by $uicideboy$?
Budd Dwyer, ACCULBED, justinbirol & KXVI.
Music Video
Song Details
Artist: $uicideboy$
Album: THY WILL BE DONE
Genre: Rap
Language: English
Released: December 25, 2025
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