Secondhand Lyrics
[Intro]
How am I supposed to let you go?
How am I supposed to let you walk away?
How am I supposed to let you go?
You're all I ever wanted in my life
All I ever wanted in my
You're all I ever wanted in my
All I ever wanted in my life, life, life
[Pre-Chorus]
You're all I ever wanted in my
You're all I ever wanted in my (You're only, uh)
You're all I ever wanted in my
[Chorus]
And I'm like, "What's up? What's up?" (Up) Sippin' on Fanta (Yeah)
Black like Wakanda (Oh), let me rеmind ya (Oh)
Rockin' designer, racks in my binder
Shе my type of liner, you will never find her
I would do the same if I ain't have cash and I had time for her
Who said we had to be secondhand lovers? (Lover)
You know we play the game, we need each other
Need each other
[Verse 1]
Angel dust (Angel dust)
Shawty always got me trippin' like angel dust (Yo, angel dust)
Everywhere she goes, you always see me, I'm flockin', I'm flockin'
Shawty, you're stuck with me like I'm stuck in your teeth, no flossin'
My phone gon' ring-ring, I pull up in a GT (Yeah)
Wrap it first, easy, all because she pretty
Her friends talkin' down on me, she petty, she don't listen
She double down off the Hennessy, she sluttin' me, she sluttin' me
Slap the devil and told him that my girl hotter (How am I supposed to let you go?)
If I'm way too tall, no, no, with the way you whine, yo, yo (How am I supposed to let you walk away?)
Who taught ya, who taught ya? (Ayy)
Got my hands all on ya body (How am I supposed to let you go? Ayy)
Please don't break my heart (You're all I ever wanted in my life)
[Pre-Chorus]
You're all I ever wanted in my (You're all I ever wanted, huh)
You're all I ever wanted in my (You're only, uh)
You're all I ever wanted in my
[Chorus]
And I'm like, "What's up? What's up?" Sippin' on Fanta
Black like Wakanda, let me remind ya (Oh)
Rockin' designer, racks in my binder
She my type of liner, you will never find her
I wouldn't do the same if I ain't have cash and I had time for her
Who said we had to be secondhand lovers? (Lover)
You know we stay together, we need each other
We need each other
[Verse 2]
This a Lamborghini, baby, are you with me?
She do Bobby, Whitney, that booty always tempting
Why are you here sipping? I sing a whole symphony
I took her to the Gucci store and walked out with some Tiffany
Now we in here singin' all these love songs, all these love songs
Girl, you gave me love, shawty, swingin' in your undertone, yeah
You know I be in, yeah, on a mission, I need you to get down and do that
[Bridge]
Let's go, let's go, outside, outside
This here be my time, she here like a hog tie
Let's go, let's go, outside, outside
A chopper outside, my Black Hawk is outside
[Pre-Chorus]
You're all I ever wanted in my
You're all I ever wanted in my (You're only, uh)
You're all I ever wanted in my
[Chorus]
And I'm like, "What's up? What's up?" (Up) Sippin' on Fanta (Yeah)
Black like Wakanda (Oh), let me remind ya (Oh)
Rockin' designer, racks in my binder
She my type of liner, you will never find her
[Outro]
How am I supposed to let you go?
How am I supposed to let you walk away?
How am I supposed to let you go?
You're all I ever wanted in my—
_______________ End _______________
Secondhand Song Meaning [Don Toliver]
Released on January 30, 2026, "Secondhand" appears on Don Toliver’s fifth studio album, "OCTANE", distributed through Atlantic Records, Cactus Jack Records, and Donnway & Co. The track features Nigerian breakout star Rema, adding global texture to the record’s sonic palette. "OCTANE" marks a continued evolution for Toliver, blending melodic rap, atmospheric trap, and exploratory soundscapes that reflect his affinity for mood-driven production and vivid lyrical imagery. "Secondhand" stands out as one of its most emotionally complex pieces, marrying vulnerability and swagger across its verses and hook.
Song Meaning:
From its opening moments, "Secondhand" establishes tension between yearning and ostentation. Toliver and Rema open with a palpable sense of disorientation, capturing the thought of separation not as a calm acceptance but as visceral resistance. This framing immediately positions the track as not just a love song, but a psychological snapshot of emotional dependency—where detachment feels impossible even in the face of impending loss.
As the song unfolds into its chorus, the narrative broadens. Layers of lavish imagery—luxury drinks, upscale fashion, and cultural references—are woven into the emotional fabric not as superficial brags but as contextual markers for the world the protagonists inhabit. These elements root the emotional stakes in a lifestyle where success and status coexist with insecurity and fear of abandonment. The repeated invocation of mutual need underscores a central tension: two individuals clinging to each other amidst the distraction of fame and wealth.
Rema’s verse introduces playful, sensory language that evokes both desire and chaos. Here, affection is depicted through metaphor and coded slang, capturing how infatuation can feel intoxicating, destabilizing, and undeniably magnetic. The interplay of humor and longing in his lines brings a raw, human quality to the connection at the center of the song, revealing that infatuation and emotional risk are often inseparable.
Toliver’s own verse shifts the narrative into romantic indulgence and the material demonstration of care. His imagery leans on shared experiences—fast cars, shopping sprees, shared love songs—that reflect a desire to build tangible memories together. These actions aren’t hollow flexes; they function as expressions of devotion in a world where affection can become transactional. This juxtaposition reinforces the idea that love and indulgence are intertwined in contemporary romance.
The bridge introduces a burst of kinetic energy, moving from introspection into motion and situational awareness. It reflects the urgency of a relationship not just lived in private, but exposed to external pressures. This shift underlines the implicit backdrop of fame—where relationships have to survive outside scrutiny and distraction, amplifying emotional risk.
The outro returns to the unresolved longing of the intro, closing the song where it began: with an inability to let go. This circular structure mirrors how emotions—comfortable, frantic, and unresolved—often loop back on themselves in real life. The refrain of resistance to separation resonates with listeners who have experienced love that feels too essential to relinquish.
Emotional Core and Themes:
At its heart, "Secondhand" is a study in contradiction. It juxtaposes confidence with vulnerability, luxury with emotional fragility, and desire with the fear of loss. Rather than presenting a simple narrative of love, it delivers a portrait of intimacy under pressure—where devotion coexists with distraction, and connection is both coveted and precarious. The song captures that restless, late-night headspace where highs and lows blur and emotions feel magnified.
Connection with Listeners:
Part of Secondhand’s appeal lies in its relatability. Even amidst references to high fashion and lavish lifestyles, the emotional core—clinging to someone because letting go feels impossible—is universal. Whether through melodic hooks or confessional verses, Toliver and Rema tap into a shared human experience: the tension between independence and attachment, between bravado and vulnerability. This duality invites listeners to project their own emotional narratives onto the track.
Conclusion:
"Secondhand" exemplifies Don Toliver’s ability to craft songs that are as sonically compelling as they are emotionally nuanced. Beneath its hypnotic rhythm and catchy motifs lies a thoughtful exploration of attachment, desire, and the complexity of modern relationships. Through evocative imagery and layered storytelling, the song transforms personal longing into a broader commentary on love’s resilience in a world of distraction—a narrative that resonates long after the beat fades.
___________ ____________ ____________
Music Video
Song Details
Song Name: Secondhand
Artists: Don Toliver, Rema
Album: OCTANE
Lyricist: Don Toliver, Rema, Sampha, 206DEREK, Gabe Lucas, Roark Bailey & Saskia
Producers: 206DEREK, Gabe Lucas & Roark Bailey
Genre: Rap
Language: English
Label: Atlantic Records, Cactus Jack Records, Donnway & Co.
Released: January 30, 2026
[Disclaimer: Lyrics are for educational and entertainment purposes only. All rights belong to the original owners.]
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