Bombs in the Ville/Hit the Gas Lyrics
[Part I: Bombs in the Ville]
[Intro]
Yeah
[Verse 1]
I want to lock it down, make time for you
Chocolate brown, what sign are you?
I don't know, but I got a feelin' that can't be stopped
Hugged up with you in the parkin' lot
Outside the whip with my shit on a rock
Lips so soft with the strawberry gloss
You make a n!gga fall like a Marbury cross
Late-night calls, I got calls to cut off my broads for you
Great-white shark just like Jaws, I'll rock the boat for you
[Chorus]
I got high hopes for you, yeah (For you, for you, for you, for you, for you)
I got high hopes for you, mhm (For you, for you, for you, for you, for you)
[Verse 2]
B!tch, I'm a star (Yeah), but I'd never shine (Feel that)
Built the tallest wall, come and see behind (Come feel that)
Bombs in The Ville, violent all the times (I feel that)
When the smoke clears, you is who I'll find
Let's run away (Let's run away, let's run away-ay-ay)
Heard somebody said they on top now? I'll pull up to see if you there
I've been countin' up M's in the background, still movin' low-key, I'm rare
Remember the spot you met me? I'll pull up to see if you there
I was hopin' you ain't forget me (Forget me)
[Part II: Hit the Gas]
[Interlude]
(Gyatt, damn, she got it, damn)
Hittin' the gas is not somethin' I do (Gyatt, damn, she got it, damn, gyatt, damn, she got it, damn)
Had to match the braids 'cause I was too (Gyatt, damn, she got it, damn, gyatt, damn, she got it, damn)
F*cked up in the head, I felt confused (Gyatt, damn, she got it, damn, gyatt, damn, she got it, damn)
Sure glad I ran back into you (Gyatt, damn, she got it, damn, gyatt, damn, she got it, damn)
I was scared you found somebody new (Gyatt, damn, she got it, damn, gyatt, damn, she got it, damn)
Ran off and had a child or two (Gyatt, damn, she got it, damn, gyatt, damn, she got it, damn)
I know I said I wasn't gon' change (Gyatt, damn, she got it, damn, gyatt, damn, she got it, damn)
But all the past done allowed my ways (Gyatt, damn, she got it, damn, gyatt, damn, she got it, damn)
Focus up, n!gga, I'm goin' through things, goin' through things (Gyatt, damn, she got it, damn, gyatt, damn, she got it, damn)
Goin' through things, goin' through things (Gyatt, damn, she got it, damn, gyatt, damn, she got it, damn)
Times not slowin' down (Focus up, n!gga, I'm goin' through things, goin' through things)
We need you around (Goin' through things, goin' through things)
I need you around, around (Yeah, yeah, yeah, yeah, yeah, yeah)
[Verse]
F*ck with your n!gga, I'm goin' through things
Grey hairs on my head, mean I know a few things
I bought a iPhone that travels through time
FaceTime done got younger me on the line
Soon as he saw me he just started cryin'
I told him, "Relax, everythin' gon' be fine"
He wiped off his face and said he tryna be strong
But some days he feel like he doin' it wrong
I told him, "Hold on," and passed out my phone to my oldest son
And my youngest one said, "I want you to look them straight in their face
Do that look like you've been makin' mistakes?"
Fame is a dr*g, you was chosen to take
Unfortunately, can't be sober and great
You're just like a flower the world wanna hold
They sniff on your petals until you get old
And then they dispose, a new flower grows
Can't take it personal, that's just how it go
Soon you gon' know that your high comin' down
And that's the point that I'll call you from now
This is The Fall-Off, I'm fallin' off, how?
The rappers do when they can't find a new sound
Missin' the day they was hotter year 'round
But life is a film that cannot be rewound
[Outro]
(Life is a film that cannot be rewound)
(Life is a film that cannot be rewound)
(Life is a film that cannot be rewound)
(Rewound, cannot be rewound)
________________ End ________________
Bombs in the Ville/Hit the Gas Song Meaning [J. Cole]
Positioned as the 11th track on Disc 29 of J. Cole’s "The Fall-Off", “Bombs in the Ville/Hit the Gas” is a two-part suite that blends intimate emotional storytelling with abrupt shifts in tone and production. The song debuted as part of Cole’s eighth studio album, released on February 6, 2026, and arrives amid heightened anticipation for this project — one hailed as possibly his final full-length release. "The Fall-Off" itself is structured as a double album split between two chapters representing two stages of Cole’s life and artistic journey. Thematically, it traces his return to Fayetteville, North Carolina — the place that shaped both his identity and his creative bearings — and offers insight into his evolving perspective as an artist and as a man approaching the precipice of his legacy.
Song Meaning
“Bombs in the Ville/Hit the Gas” unfolds in two distinct halves that reflect the duality of Cole’s narrative voice — one rooted in affection and vulnerability, and the other in introspection and existential reckoning.
The opening section paints a picture of closeness and youthful desire, where the artist’s attention is fixated on connection and presence. The imagery here strikes a balance between everyday romance and poetic resonance, revealing that even amid chaos or uncertainty, human connection remains a grounding force.
Midway, the beat shifts — a transition that mirrors a shift in Cole’s inner world. What begins as reflective affection gradually evolves into a more contemplative rumination on identity, time, and consequence. In this part, Cole doesn’t just rap; he seems to converse with himself — with versions of himself from another time.
By inviting the listener on a metaphorical journey that almost feels like a conversation across ages, Cole uses memory as a lens to probe his own ambition. The sense of urgency that pulses through the rhythm here isn’t about velocity or ego, but about reckoning with the passage of time and the weight of decisions made long ago.
Themes of fame and self-understanding emerge without didactic language; instead, Cole’s words feel like a meditation on how an artist negotiates public expectation, private reality, and the evolution between the two. Rather than simply asserting confidence or regret, he allows the tension between those poles to sit with the listener.
Emotional Core and Themes
At its essence, “Bombs in the Ville/Hit the Gas” is about embracing complexity. It explores how love, ambition, reflection, and self-interrogation can coexist in tension — much like how two seemingly different halves of a track can form a cohesive emotional whole. The “Ville” — a shorthand for Fayetteville — stands for origin, memory, and identity. The act of “hitting the gas” becomes a metaphor not just for acceleration or escape, but for pushing forward despite internal questions about self-worth, legacy, or direction.
The emotional resonance lies in Coleman’s ability to express vulnerability without diminishing strength, showing that resilience isn’t about absence of doubt, but the willingness to face it. Through an intricate weave of personal narrative and broader themes of ambition and consequence, Cole invites the listener into a space where introspection becomes both a confession and a declaration.
Connection with Listeners
For fans and new listeners alike, this track resonates because it feels real — not because it adheres to a predictable blueprint of bravado or bravura, but because it reflects an unguarded human experience. Whether listeners connect with the romantic imagery, the existential questions, or the candid unpacking of inner life, the song acts as both mirror and soundtrack to listeners’ own moments of deep introspection.
Moreover, by embedding his evolution as an artist within the music itself — contrasting youthful moments of desire with more reflective dialogue on legacy — Cole creates a narrative that’s relatable across lifetimes. It’s a reminder that growth often happens not in leaps but in reflective beats between breath and breath.
Conclusion
“Bombs in the Ville/Hit the Gas” stands as one of J. Cole’s most layered compositions: a track that moves beyond simple genre boundaries to explore the interplay between connection, identity, and continuity across time. Through its two-part structure and shifting emotional rhythms, the song captures the heart of The Fall-Off’s broader themes — confronting origin, grappling with fame, and ultimately embracing life’s inevitable evolution.
In the landscape of contemporary rap, where complexity often takes a backseat to surface-level bravado, this piece underscores Cole’s strength as both storyteller and emotional cartographer — one attuned to the quiet moments that define us just as powerfully as the loud ones.
_____________________________
Song Details
Song Name: Bombs in the Ville/Hit the Gas
Artist: J. Cole
Album: The Fall-Off (2026)
Lyricist: J. Cole
Producers: J. Cole, Boi-1da, Carter Lang, T-Minus, Fierce & Westen Weiss
Genre: Rap
Language: English
Label: Dreamville, Cole World, Inc., Interscope Records
Released: February 6, 2026
[Disclaimer: Lyrics are for educational and entertainment purposes only. All rights belong to the original owners.]
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