TMU Lyrics
[Intro]
Are we still young?
Are we still young?
Waiting back for our lovers
They passed the tubes
Are we still young?
Are we still young?
Are we still—
[Pre-Chorus]
To tell the truth, I'd rather be with you
I'd rather pick you up, I'd rather call the school
Don't matter where you are, don't matter what you do
(Don't matter what you do, don't matter what you do, don't matter—)
To tell the truth, I'd rather be with you (Tell the truth)
I'd rather pick you up, I'd rather call the school (Call the school)
Don't matter wherе you are, don't matter what you do
(Don't matter what you do, don't mattеr what you do)
[Chorus]
Just turn me up, just turn me up
Just turn me up, just turn me up
Just turn me up, just turn me (Turn me up)
Just turn me up, just turn me up
Just turn me up, just turn me (Turn me up)
Just turn me up, just turn me up
Just turn me up, just turn me
Just turn me up, just turn me up
Just turn me up, just turn me up
[Verse]
You're sexy and that eighty got me wildin', girl, don't text me
I'll take that jetski to the tropics, we get messy
Okay, your Birkin got some mileage, take my blessings
Okay, she poppin' Miley Cyrus (Poppin' Miley), that's my bestie (Uh)
Dollars fallin', yeah (Yeah)
Chain wildin', yeah (Yeah)
Might crawl in, yeah (Yeah)
To be honest (Ah), I was bein' modest (Yeah)
She want my body, might take her to that island (Island)
[Bridge]
Waist, baby, wait, I'm so patient, show your interest
To how you've been workin' on your body
Watchin' how you came and show me what you can do (I'd rather be with you)
[Pre-Chorus]
To tell the truth, I'd rather be with you
I'd rather pick you up, I'd rather call the school (Call the school)
Don't matter where you are, don't matter what you do (Yeah)
(Matter what you do, don't matter what you do, ooh)
To tell the truth, I'd rather be with you
I'd rather pick you up, I'd rather call the school (Call the school)
Don't matter where you are, don't matter what you do
(Don't matter what you do, don't matter what you do)
[Chorus]
Just turn me up, just turn me up
Just turn me up, just turn me up
Just turn me up, just turn me (Turn me up)
Just turn me up, just turn me up
Just turn me up, just turn me (Turn me up)
Just turn me up, just turn me up
Just turn me up, just turn me (Turn me up)
Just turn me up, just turn me up
Just turn me up, just turn me up (Turn me up)
Just turn me up, just turn me up
Just turn me up, just turn me (Turn me up)
Just turn me up, just turn me up
Just turn me up, just turn me (Turn me u—)
Just turn me up, just turn me up
Just turn me up, just turn me (Turn me up)
Just turn me up, just turn me up
Just turn me up, just turn me
[Outro]
Are we still young?
Are we still young?
Waiting back for our lovers
They passed the tubes
Are we still young?
Are we still young?
Are we still young?
Are we still young?
Waiting back for our lovers
They passed the tubes
Are we still young?
Are we still young?
Are we s—
________________ End ________________
TMU Song Meaning [Don Toliver]
On the back end of his fifth studio album "OCTANE", Houston artist Don Toliver once again stretches the boundaries between rap, melodic R&B, and atmospheric trap. Known for his hypnotic delivery and genre-blending flair since breaking out on Travis Scott’s ASTROWORLD, Toliver’s work on "OCTANE" channels themes of energy, motion, introspection, and relational complexity through sonic textures that evoke speed and emotional tension. The track “TMU” sits amid these layered themes, balancing nostalgic reflection with the urgency and yearning that define much of the project’s palette. OCTANE itself has been framed by Toliver as an immersive journey — almost kinetic in its conception — where fuel metaphors collide with emotional weight and personal evolution.
Song Meaning:
“TMU” opens with a familiar rhetorical question about youth and belonging, immediately anchoring the song in a space of retrospection. Rather than simply asking if the speaker is still young, Toliver creates a feeling of suspended time — a moment where identity, experience, and memory blur. This sets up a thematic tension that runs throughout the song: between past and present, between longing and fulfillment, and between immaturity and deeper connection.
As the pre-chorus unfolds, the lyrical content shifts into a direct emotional address toward another person. Here, Toliver’s voice is less about abstract feeling and more about grounded affection. There is a pronounced preference for closeness over distance, a willingness to cross logistical and emotional boundaries simply to be near the person he cares for. The repeated language underscores the depth of that desire — not as an obsession, but as something steadfast in the face of distraction or separation.
The refrain itself, while sparse in lexical variety, functions as a release valve. Its repetition reflects the cycle of thought the narrator is caught in: the urge to be felt, heard, and “turned up,” not just in the literal musical sense but emotionally and energetically. It’s a refrain that doubles as both a mood and a plea, capturing the restless impulses that accompany love, memory, and self-assertion.
In the verse, Toliver juxtaposes external glamour and internal vulnerability. References to luxury, movement, and sensory intensity operate on the surface as markers of lifestyle, yet they also illustrate the ways in which the speaker measures experiences against personal connection. This duality — material bravado against emotional sincerity — is a recurring motif not just here but across OCTANE, where high-octane motifs of cars and acceleration frequently serve as metaphors for inner emotional states.
Later in the song, the bridge softens the rhythmic urgency with a more patient, observant tone. It feels like a breath between statements — an invitation to slow down, to consider not just physical presence but emotional readiness. This shift subtly reframes the earlier momentum of the song: from speed and repetition to attentiveness and desire.
The second pre-chorus revisits the core emotional position with refined clarity. What began as a rhetorical question becomes a decisive statement of emotional priority. Toliver’s repetitions now feel less like circling thoughts and more like affirmations of what genuinely matters to the narrator: connection over context, choice over chance.
Emotional Core and Themes:
At its heart, “TMU” is a meditation on yearning — questioning where one stands in life and in love, while insisting on the centrality of intimacy amid chaos. Themes of nostalgia, desire, and emotional preference permeate the track, all wrapped in Toliver’s signature melodic trap sound. Though at times structurally repetitive, these moments reinforce how persistent emotions can feel, particularly when tied to questions of identity and belonging.
Connection with Listeners:
Listeners are invited into a space where personal reflection intersects with universal feelings of longing and attachment. The interplay of high-energy production and introspective lyrics makes “TMU” resonant for audiences who feel pulled between the thrill of present momentum and the weight of emotional history. It’s a song that lands differently depending on where someone stands in their own life, making it as much a reflective piece as an experiential one.
Conclusion:
“TMU” encapsulates a delicate balance in Don Toliver’s evolving artistry: high-octane musicality grounded in relatable emotional nuance. Through repetition, rhythmic propulsion, and a blend of bravado and vulnerability, the track maps out a landscape of youthful uncertainty and relational steadfastness. It stands not just as another piece of OCTANE’s broader narrative, but as a moment of pause — a musical reflection on what it means to hold onto connection in a world that never seems to slow down.
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Music Video
Song Details
Song Name: TMU
Artist: Don Toliver
Album: OCTANE
Lyricist: Don Toliver, Rio Leyva, Finatik, Zac, 206DEREK, Synthetic, sharkboy, Etham, Kaleem Taylor & The Code
Producers: FNZ, Synthetic, sharkboy, 206DEREK & Rio Leyva
Genre: Rap
Language: English
Label: Atlantic Records, Cactus Jack Records, Donnway & Co.
Released: January 30, 2026
[Disclaimer: Lyrics are for educational and entertainment purposes only. All rights belong to the original owners.]
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