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THE LIVING Lyrics
[Verse 1]
Hey there, dead man, meet the living
Hey there, dead man, meet the living, uh
Rich man's donkey trying to pay your f*cking way
Ain't no pity for the slave that put on his own chains, shit
Hey there, dead man, meet the living, yeah (Woo)
[Verse 2]
Hey there, dead man, you say I'm tripping (Yeah), haha
Hey there, dead man, upstanding citizen
You said I'm a f*cking joke for saying I have dreams
But the man he work for rich for the same thing, b!tch
Hey there, dead man, you tell me who's trippin'
[Chorus]
And the living say
Oh no, no, no, no, do-do
Oh no, no, no, no, do-do
Oh no, no, no, no
Oh no, no, no, no, do-do
Oh no, no, no, no, do-do
Oh no, no, no, no
And the living say
Oh no, no, no, no, do-do
Oh no, no, no, no, do-do
Oh no, no, no, no
Oh no, no, no, no, do-do
Oh no, no, no, no, do-do
Oh no, no, no, no
[Verse 3]
Hey there, zombie, meet the breathing
You told me I should sit here and dig up my own grave
But the funeral home, this is how they get paid, shit
Hey there, zombie, meet the breathing
Oh yeah, yeah
[Chorus]
And the living say
Oh no, no, no, no, do-do
Oh no, no, no, no, do-do
Oh no, no, no, no
Oh no, no, no, no, do-do
Oh no, no, no, no, do-do
Oh no, no, no, no
And the living say
Oh no, no, no, no, do-do
Oh no, no, no, no, do-do
Oh no, no, no, no
Oh no, no, no, no, do-do
Oh no, no, no, no, do-do
Oh no, no, no, no
And the living say
THE LIVING Song Meaning [Labrinth]
Song Meaning:
The opening section of the song "THE LIVING" introduces the central conflict between people who are spiritually awake and those who move through life without purpose or self-awareness. Labrinth paints a world where many individuals surrender their freedom for comfort, approval, or financial survival. The imagery surrounding chains and servitude reflects modern social pressure, especially the idea that people willingly sacrifice their identity to fit into systems that exploit them. The aggressive tone feels intentional, mirroring frustration toward cultures that reward obedience over imagination.
The second verse deepens that criticism by focusing on ambition and creative independence. The narrator is mocked for dreaming beyond ordinary limitations, yet the hypocrisy becomes obvious when the same society celebrates wealth and success once those dreams become profitable. Labrinth exposes how people often ridicule visionaries before later admiring the results. The verse captures the emotional isolation that comes with believing in something bigger than what others can understand. Beneath the anger is a challenge directed at listeners: question who is truly lost — the dreamer or the people afraid to dream at all.
The repeated chorus acts almost like a public reaction. The layered vocal chants resemble panic, denial, or collective anxiety. Rather than offering comfort, the hook creates the feeling of a crowd resisting uncomfortable truths. Its hypnotic repetition reinforces the theme of emotional paralysis, as though society keeps repeating the same patterns while refusing to confront deeper problems.
The final verse shifts from “dead men” to “zombies,” expanding the metaphor from spiritual death into mechanical existence. Here, the song criticizes industries and environments that profit from hopelessness. The imagery suggests that certain systems survive by convincing people to destroy themselves emotionally, mentally, or creatively. Labrinth positions himself against that cycle, refusing to accept a future built around silence, fear, or self-destruction.
Emotional Core and Themes:
At its heart, “THE LIVING” explores spiritual survival in a world that often rewards emotional numbness. The song deals with conformity, ambition, exploitation, and the loneliness of thinking differently. Its raw intensity speaks directly to listeners who feel disconnected from social expectations or trapped inside routines that slowly erase individuality.
Connection with Listeners:
The track resonates because it transforms frustration into resistance. Many listeners recognize the pressure to suppress dreams, follow predetermined paths, or accept unhealthy systems simply to survive. Labrinth channels those emotions into something cinematic, rebellious, and deeply human.
Conclusion:
“THE LIVING” stands as both a protest record and a psychological reflection. Labrinth uses dark imagery and confrontational writing to explore what happens when people stop questioning the structures controlling their lives. Instead of glorifying despair, the song pushes toward awareness, urging listeners to protect their identity, ambition, and emotional truth before they become emotionally lifeless themselves. Its intensity makes it one of the most thought-provoking moments on COSMIC OPERA ACT II.
Song Details
Song Name: THE LIVING
Artist: Labrinth
Album: COSMIC OPERA ACT II
Lyricist: Labrinth
Producers: Labrinth
Genre: Rap
Language: English
Label: Columbia Records
Released: May 29, 2026
Artist: Labrinth
Album: COSMIC OPERA ACT II
Lyricist: Labrinth
Producers: Labrinth
Genre: Rap
Language: English
Label: Columbia Records
Released: May 29, 2026
Disclaimer: Lyrics are for educational and entertainment purposes only. All rights belong to the original owners.
