Sleepwalking Lyrics
[Chorus]
You won't love me, you won't leave me
You don't touch me but still so needy
And I don't know if you do it intentionally
Somehow you make it my fault
You don't stop talking
And I'm just sleepwalking
[Verse]
Course I'm angry, course I'm hurt
Looking back at it's so absurd
Course I trusted you and took you at your word (At your word)
Who said romance isn't dead? Been no romance since we wed
"Why aren't we f*cking baby?" Yeah, that's what you said
But you let me think it was me in my head
And nothing to do with them girls in your bed
[Chorus]
You don't stop talking and I'm just sleepwalking
See your thoughts forming, baby, stop it, it's 3 in the morning
And I don't know if you do it intentionally
But somehow you make it my fault
You don't stop talking
And I'm just sleepwalking
[Bridge]
I know you've made me your Madonna
I wanna be your whore
Baby, it would be my honour
Please, sir, can I have some morŠµ?
I could preserve all of your fantasiŠµs
If only you could act them all out with me
[Chorus]
You don't stop talking and I'm just sleepwalking
See your thoughts forming, baby, stop it, it's 3 in the morning
And I don't know if you do it intentionally
But somehow you make it my fault
You don't stop talking
And I'm just sleepwalking-ing
[Outro]
You won't love me, you won't leave me
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Sleepwalking Song Meaning (Lily Allen)
Background and Context
Lily Allen’s fifth studio album "West End Girl", released on 24 October 2025 via BMG UK, marks her first full-length effort in seven years. Recorded in December 2024 over a rapid sixteen-day span, the album sees Allen mining a period of personal upheaval—most notably the breakdown of her marriage to actor David Harbour—and using songcraft as a processing tool for betrayal, disillusionment and emotional survival.
The track Sleepwalking sits at the core of this narrative arc. Produced by Leroy Clampitt, Kito and Blue May, and co-written by Allen alongside Clampitt, Kito, Blue May and Violet Skies, it dives into a state of limbo—caught between commitment and disconnection, surface affection and underlying fracture.
Lyricism and Emotional Message
At its heart, "Sleepwalking" depicts the painstaking realisation that something is deeply wrong in a relationship, even when outward behavioural cues may appear innocuous. The repeated chorus—“You won’t love me, you won’t leave me / You don’t touch me but still so needy / … And I’m just sleepwalking”—captures a haunting stasis, where the narrator is both present and absent, aware and yet drifting.
Verse lines such as “Course I trusted you and took you at your word” and “Who said romance isn’t dead? Been no romance since we wed” crystallise the sense of betrayal: not only infidelity, but the loss of intimacy, trust and reciprocal emotional investment. The partner’s question, “Why aren’t we f*cking baby? Yeah, that’s what you said,” juxtaposed with the narrator discovering “them girls in your bed,” renders the domestic familiar suddenly alien and unrecognisable.
The bridge escalates the emotional stakes: “I know you’ve made me your Madonna / I wanna be your whore / … If only you could act them all out with me.” Here Allen’s narrator confronts the distorted dynamic: labelled, acted upon and commodified, yet yearning to reclaim agency, to be seen, to be desired on her own terms. The metaphor of being sleepwalking extends beyond physical slumber—it’s emotional unconsciousness: when one goes through the motions until the wake-up call arrives.
Real-Life Inspiration and Significance
In interviews around "West End Girl" Allen explicitly acknowledges that the album is built on “a mixture of fact and fiction” and is her way of charting “the events that led me to where I am in my life now”. Media coverage connects the album’s themes directly to her separation from David Harbour, including references to infidelity, emotional neglect and the unraveling of assumed relationship boundaries.
"Sleepwalking" can thus be read as a distilled emotional statement within that broader arc: the quiet desperation before confrontation, the slow accumulation of small betrayals, the sense of being stuck in a calibrated role while the relationship quietly collapses. For listeners, Allen offers not just a confessional but a mirror—how many of us sense the sleepwalkers among us in our own relationships: the unanswered texts, the distance that becomes normal, the voice in our head whispering “is it just me?”
Why It Matters
"Sleepwalking" works on multiple levels. For Allen, it arguably marks a point of self-assertion: naming the emotional damage, reclaiming the narrative from tabloid speculation, and transforming hurt into artistry. For audiences, the track resonates because it avoids melodrama in favour of disarming clarity—her conversational tone and fragmentation of detail embed the listener in the narrator’s lived experience. The twin pulls of vulnerability and incisive lyricism make it feel less like a breakup anthem and more like a moment of waking up.
In the broader context of the album, the song underscores a recurring theme: the difference between what a relationship looks like and what it feels like when you’re inside it. By framing that shift with the metaphor of sleepwalking, Allen gives a name to the dissociation many experience when the world they thought was solid starts to crack.
In short, "Sleepwalking" is one of those songs that does more than tell a story—it invites you to inhabit one. And in doing so, it signals a transitional moment for Allen as an artist: moving from irony and pop sass into something more razor-sharp, emotionally raw and autobiographical.
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FAQ Section
Who sung the song "Sleepwalking" by Lily Allen?
The song "Sleepwalking" was sung by Lily Allen.
Who wrote the song "Sleepwalking" by Lily Allen?
Lily Allen, Leroy Clampitt, Kito, Blue May & Violet Skies.
Who produced the song "Sleepwalking" by Lily Allen?
Leroy Clampitt, Kito & Blue May.
Music Video
Song Details
Artist: Lily Allen
Album: West End Girl
Genre: R&B, Pop
Language: English
Released: October 24, 2025
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