Good Flirts Lyrics
[Chorus]
You used to call my phone on a Friday night
It's been over twice, it's been over, we've been over, yet
You always called my phone on a Friday night (Night)
It's been over twice, it's been over, we've been over
[Post-Chorus]
Don't you love a good flirt with a stranger?
Don't you love lettin' out a good cry, baby?
Ain't coming home on a Friday night
I'm all good, my hips still wine
Don't you love a good flirt with a stranger?
Don't you love lettin' out a— cry?
Ain't coming home on a Friday night
I'm all good, my hips still wine
[Verse 1]
You was almost like my safe haven, but you ended up actin' up, baby
Barely together even, you always playin'
Now you hatin' 'cause what these b!tchеs be sayin'
Like, I ain't nevеr took you on vacation?
What gets me, they stay hatin'
It's crazy 'cause you had everythin' they chasin', like
Somebody you can call on, a place you can call home until it went all wrong
Shawty, you on one
[Chorus]
You used to call my phone on a Friday night
It's been over twice, it's been over, we've been over, yet
You always called my phone on a Friday night (Night)
It's been over twice, it's been over, we've been over
[Post-Chorus]
Don't you love a good flirt with a stranger?
Don't you love lettin' out a good cry, baby?
Ain't coming home on a Friday night
I'm all good, my hips still wine
Don't you love a good flirt with a stranger?
Don't you love lettin' out a— cry?
Ain't coming home on a Friday night
I'm all good, my hips still wine
[Verse 2]
I never knew a luh-luh-luh, a love like this
Flood your contour, make you blush like this
F*ck a friend zone when you hug like this
Nibble on your ear, touch your butt like this, we adjust like this
If God's a girl, then in God we trust like this
To be honest, n!ggas love love too
Shit, I gossip with my b!tch like I'm Young Thug too
Dumb lungs on you, spun the hair bun loose
Rightin' wrongs 'til they come with royalties and pub too
(Where you at?) At the house with it, watchin' Sinners
(Who you with?) On the couch with my favorite sinner
(F*ck that b!tch) I was about to, but you convinced us
Should I decorate her walls or log off the Pinterest?
Uh, never too late to meditate on emotional attachments
Even if I fall short from my distractions
Been missin' your booty, lovin' on your booty
Kissin' on your booty, crushin' on your booty
Remember me? Iceberg jeans or the Trueys
Duckworth, you know, street smart, but I'm goofy
Wait, you must got a platinum record in the coochie
(I got a platinum plaque in the coochie)
Been missin' your booty, lovin' on your booty
Kissin' on your booty, crushin' on your booty
[Chorus]
You used to call my phone on a Friday night
It's been over twice, it's been over, we've been over, yet
You always called my phone on a Friday night (Night)
It's been over twice, it's been over, we've been over
________________ End _________________
Good Flirts Song Meaning [Baby Keem]
“Good Flirts” unites Baby Keem, Kendrick Lamar, and Momo Boyd on the 2026 album "Ca$ino", released via pgLang and Columbia Records. Blending melodic R&B with confessional rap, the track explores the emotional aftershocks of a broken relationship, where late-night habits, desire, and loneliness blur into a cycle of temptation and independence.
Song Meaning
The chorus frames the story around ritual and memory. A once-predictable Friday-night call becomes a symbol of attachment that lingers even after separation. The repetition suggests how relationships don’t end cleanly; routines outlive the romance. By emphasizing that the connection has already ended multiple times, the song captures the modern push-and-pull of breakups sustained by nostalgia and unfinished feelings.
The post-chorus shifts into nightlife liberation. Flirting with strangers and dancing alone is portrayed less as carefree fun and more as a coping mechanism. The mood balances empowerment with vulnerability: reclaiming independence while quietly acknowledging emotional fallout. The imagery of movement and release hints at someone convincing themselves they are fine, even as unresolved feelings surface.
The first verse reflects on disillusionment. What once felt like emotional safety deteriorates into mistrust shaped by outside opinions and internal insecurity. The narrative points to how public perception, jealousy, and miscommunication corrode intimacy. It also underscores a recurring theme in Baby Keem’s writing: success complicates private relationships, turning love into something scrutinized and fragile.
The second verse becomes more introspective and chaotic, mirroring conflicted desire. Sensual memories collide with self-reflection about attachment, ego, and distraction. References to meditation and emotional awareness reveal a character aware of his flaws yet still drawn back to physical connection. The verse portrays masculinity grappling with vulnerability, admitting that affection and longing persist beneath bravado.
Emotional Core and Themes
At its heart, the song examines the gray area between closure and relapse. It portrays how people oscillate between independence and longing, using distraction, humor, or desire to avoid confronting hurt. Themes of ego, intimacy, and emotional accountability run throughout, suggesting that healing requires more than distance—it requires honesty about why the connection mattered.
Connection with Listeners
“Good Flirts” resonates because it captures a familiar post-breakup reality: pretending to move on while still haunted by shared habits and late-night memories. Its mix of confidence and fragility mirrors how many people navigate modern dating, where closure is rare and communication never fully disappears.
Conclusion
The track stands as a layered portrait of contemporary love—messy, performative, and deeply human. By pairing melodic vulnerability with sharp introspection, the artists transform a story of lingering attachment into a broader reflection on how people cope with endings that never feel final.
__________________________________
Song Details
Song Name: Good Flirts
Artists: Baby Keem, Kendrick Lamar, Momo Boyd
Album: Ca$ino (2026)
Lyricist: Baby Keem, Kendrick Lamar, Momo Boyd, Teo Halm, Bobby Caldwell, Bruce “Mal” Malament, Common, CyHi, J Dilla, Norman Harris & Rascal
Producers: Teo Halm, Baby Keem & Rascal
Genre: R&B, Rap
Language: English
Label: pgLang, Columbia Records
Released: February 20, 2026
External Links
_______________________
• Spotify
[Disclaimer: Lyrics are for educational and entertainment purposes only. All rights belong to the original owners.]
Social Plugin