Golden Eye Lyrics – Ray Vaughn

Golden Eye Lyrics

[Intro]
Uh (Hahahaha)
They done let that n!gga off that castin’ couch (They lettin’ the n!gga out the f*ckin’ basement)
Slide through the kitchen and shit (Stupid-as* n!gga, yeah)
Johnson and Johnson

[Verse 1]
Holy shit, it gotta get back on Troy and ain’t say shit
Heard he out here begging for Dot, I let the K spit
Get smacked down, thinkin’ we wrestlin’ with all them Ray flips
Them shots ain’t hurt Vaughn Wick, I’m in the Matrix
Electrician, oh, we out here flexin’ with his power check?
Had a n!gga pushin’ up daisies in some flower set
Y’all troopin’ with this n!gga then why y’all ain’t deploy?
I heard y’all was slidin’ on Diddy, but won’t slidе for your—, mm
I was signed for five years and got blockеd by Covid (Fact)
You was signed for like twenty and still ain’t got motion (Fact)
You had legends in your corner and still turned out boneless
Just a Forbes list miss with a bad boy bonus
Look, CJ got no hit (No), Kirk got no hit (No)
You ain’t got no hits, so Pro Era don’t exist
TDE East, n!gga, ain’t that ’bout the b!tch?
You got a label full of artists, every blog post skip (On God)
I’m a D1 crash out, I’m dummy as it gets
Indian street food, a n!gga made it off the wrist
A n!gga made it out of will, but my name ain’t Jaden Smith (Mm)
Thinkin’ I ain’t got his number, b!tch he authorized the hit (Doot-doot-doot)
[?] words always comin’ from your lips
If you’re standin’ next to Diddy, then you shouldn’t mention d**k
‘Cause if they ever show that footage, you gon’ have to plead the fifth
I’m the n!gga you should dread, I’m on yo’ head, I’m Vaughn Wick
Them gay lines is out of pocket, I ain’t never been to Diddy house
Serayah gon’ be shocked when all that footage out
Couldn’t get a Grammy and said, “F*ck it, n!gga, put me on that castin’ couch”
That’s the type of d**k-lickin’ shit you should be rappin’ ’bout (Bad Boy)

[Chorus]
Big TDE, what you know ’bout me? (Haha, you might be Joe Vaughn, but you ain’t Ray Vaughn, so [?] the f*ck up)
Gas tank on E, RV finna crash out
N!gga tucked his tail, In Detroit, had beef (You crashin’ like the Twin Towers, n!gga)
Now a n!gga talk street, but his credit is maxed out (Boom, boom, boom, boom, boom)
Rap for twenty years, still ain’t made big three (N!gga been in this b!tch for like twenty years, it ain’t no [?])
Now he went to TV ’cause in New York, you a cast-out
Couldn’t get a verse from the H-O-V (Motherf*ckin’ freak-off this, n!gga)
Now you at Diddy house and you puttin’ your back down

[Verse 2]
With the clout chasin’, going after Dot for the control
F*ck the clout chasin’, n!gga, why you givin’ up your hole?
Oh, you a badas*, a bad boy, there he go
Tryna cook a fake beef ’cause Puffy called you Sloppy Joe?
F*ck it, I’ll be the Kendrick copy (Copy)
N!gga, that’s better than bukkakes (B!tch)
You Diddy’s sidekick how you got somethin’ to say
At the freakoff for a week and you was callin’ me gay
Before the spice was Tekashi and where was you at? (Where was you at?)
Troy Ave entered the chat, n!gga, where was you at? (Where was you at?)
You wasn’t tryna save New York and put that shit on your back
It took a California n!gga just to get you to rap (Bop, bop, bop, bop, bop)
40 pokin’ out like pegs on a mongoose, I can handlebars
You been rappin’ twenty years straight, you work for Santa Claus
Secret handshakes and baby oil, yeah, we saw that
That’s what he meant when he was saying he with all that
Lightyears ahead, your name buzzin’ ’cause of mine
Last time we gave a f*ck ’bout you was 1999 (1999)
If I aim at your big apple, changes New York’s state of mind
N!ggas playin’ with your name, that don’t mean you play with mines, p*ssy
I know a guy that know a guy from Brooklyn’s side
That said you ran from real demands and wouldn’t slide, why?
N!gga you was supposed to shoot like GoldenEye
You at the crib with ocean eyes
You should’ve put em close to God, but you not like that
The f*ck made you think you close to Vaughn?
I seen that in your posture, you get posterized
CJ Fly dropped a diss too, damn for Pete’s sake, post the guy
Pro Era like a drop-through speaker, broken fry
Just a old-as* n!ggas get mad at the up-and-coming (Up-and-coming)
I revived your rap career, I’m why Joey Buzzin’
N!gga thought he was unique when he clearly wasn’t (Nah)
Had them matching haircuts I know they up to somethin’

[Chorus]
Big TDE, what you know ’bout me?
Gas tank on E, RV finna crash out
N!gga tucked his tail, In Detroit, had beef
Now a n!gga talk street, but his credit is maxed out
Rap for twenty years, still ain’t made big three
Now he went to TV ’cause in New York, you a cast-out
Couldn’t get a verse from the H-O-V
Now you at Diddy house and you puttin’ your back down

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Meaning of this Song Lyrics
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Ray Vaughn’s “Golden Eye” song is a diss track where the rapper criticizes and mocks another artist for lacking success, authenticity, and credibility despite being in the industry for decades. It highlights themes of clout-chasing, betrayal, and contrasts between perceived street credibility and industry positioning.

[Intro]
The intro mocks another rapper, likely Joey Bada$$, suggesting he only recently got a chance in the spotlight (referred to as a “casting couch” – possibly implying exploitation or desperation for fame). The line “Johnson & Johnson” is a play on Ray Vaughn’s full name and possibly an allusion to healing or being a clean brand, contrasting with the dirt he’s about to air out.

[Verse 1]
Ray starts off aggressively, saying he’s ready to retaliate against someone named Troy who disrespected him. He mocks Troy for begging for a beat from Dot (Kendrick Lamar) and boasts that he retaliated with violence (“let the K spit”). He compares his enemy’s fake toughness to wrestling flips and says he’s like “Vaughn Wick” (a mix of his name and John Wick – a deadly assassin).
He then clowns someone (possibly Joey) for flexing with little money (“power check”), saying the person is weak despite having backing. He calls out inconsistencies: if his enemies are so tough, why haven’t they avenged their own people?
He reflects on being signed to a label during the COVID lockdown while his rival had years of opportunity but no success. Despite having industry legends in his corner, the other rapper never blew up, and Ray says he’s just another failed artist with a “bad boy bonus” – referring to Diddy’s Bad Boy Records.

Ray claims other artists (like CJ and Kirk) have no hits and asserts that Joey’s label, Pro Era, is irrelevant. He disses TDE East, saying the roster isn’t moving the culture. Ray brags about his own come-up, comparing it to making Indian street food – something crafted by hand, gritty, and authentic.
He says he’s self-made and dangerous, throwing in shots about people pretending to be gangsters while really being industry-controlled. He warns that if compromising footage comes out (likely of Joey and Diddy), the other guy would have to plead the Fifth (remain silent in court).
He declares himself a threat (“the one you should dread”), and again compares himself to John Wick. Then he accuses his opponent of saying things that cross the line (“gay lines”), denying he ever went to Diddy’s house, and insinuates Joey compromised himself for fame. He brings up Joey’s ex (Serayah) and warns she’ll be shocked if certain tapes surface.
The final line is a kill shot: if Joey had to degrade himself for a Grammy and failed, he should rap about *that*, not pretend to be a street legend.

[Chorus]
The chorus mocks Joey’s association with TDE and claims he’s just a washed-up rapper clinging to fake street cred. Ray accuses him of folding when he had problems in Detroit and exaggerating his toughness. He says Joey’s been in rap for two decades and still hasn’t made it to “the big three” (likely referring to the top three rappers or major mainstream success).
Ray also calls out Joey’s TV career (he’s been acting in shows like *Power*), implying that he switched lanes because music didn’t work. Finally, he makes a jab that Joey couldn’t get a verse from Jay-Z (HOV), and now he’s hanging around Diddy’s house compromising his integrity.

[Verse 2]
Ray continues the assault, accusing Joey of chasing clout by trying to beef with Kendrick Lamar. He questions why Joey would “give up his hole,” a vulgar way of saying he sold out or allowed himself to be used for fame.
He mocks the “Bad Boy” label association again, saying Joey is creating fake drama because Diddy allegedly called him “Sloppy Joe.” Ray sarcastically says he’ll accept being called a Kendrick copy because it’s better than degrading himself (“bukkake” metaphor).
He calls Joey Diddy’s sidekick and questions how he has the nerve to talk tough. He references Diddy’s infamous “freak offs” (wild parties), suggesting Joey participated in compromising activities.
Ray says Joey wasn’t there when NYC rap needed saving, and it took a West Coast rapper (like Ray) to bring attention back.

Then he gets personal: referencing a gun (“40 poking out”) and mocking Joey’s long but unimpactful career by saying he works for Santa Claus – essentially calling him a children’s entertainer with no real status.
Ray references Diddy again, mocking secret handshakes and baby oil – implying bizarre or shady behavior. He says this is what Diddy really meant by being “with all that,” referring to openness but in a derogatory way.
He states he’s lightyears ahead and that Joey is only relevant now because of *his* name. The last time people cared about Joey was in 1999 – referencing the Pro Era nostalgia and how far removed he is from cultural relevance now.

Ray threatens violence again, saying if he targets Joey (“big apple”), he’ll shift the whole mood in New York. He clarifies that just because people make fun of Joey’s name, it doesn’t mean they can do that with *his* name.
He shares insider info from Brooklyn, saying Joey ran from real confrontations. He implies Joey was expected to retaliate or defend his crew like in the video game *GoldenEye*, but instead, he stayed home crying (“ocean eyes”).
Ray says Joey should’ve been a killer, but he’s not built like that, and mocks him for trying to compete with him (Ray). He claims he’s seen Joey’s posture and weakness, and he got “posterized” (humiliated like in a basketball dunk).

He references CJ Fly (another Pro Era member) dropping a diss track, but says no one paid attention. He compares Pro Era to a broken fast-food speaker – you can talk into it, but nothing comes out. He accuses Joey and his crew of being bitter old heads upset at rising stars.
Ray declares that he’s the reason Joey’s getting attention again, implying he revived Joey’s stalled career. He says Joey thought he was unique but wasn’t, and ends by mocking their matching haircuts – suggesting they’re in on something secretive or ridiculous.

[Chorus – Repeat]
The chorus repeats, driving home the same points: Joey has no gas left (creatively and career-wise), acts tough but isn’t, has no major accolades despite two decades in the game, and has resorted to acting and hanging around moguls like Diddy while compromising himself.

Summary:

Ray Vaughn’s “GoldenEye” is a vicious diss track, mainly targeting Joey Bada$$. Ray accuses him of being irrelevant, desperate, and a fake gangster who failed to achieve long-term success. He implies Joey has sold his integrity, participated in shady activities with industry elites, and only got attention again because of Ray’s name. Ray presents himself as the real deal – hungry, dangerous, authentic, and the future of rap – while painting Joey as washed up, weak, and clout-chasing.

[Note: This is the possible meaning of this song, based on lyrics, words & tone. Every song Meaning and Summary we share or publish in this website only depend on lyrics analysis, not from Artist own perspective.]

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FAQ

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Golden Eye (MV)

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Audio Credits & Details

Artist : Ray Vaughn

Lyricist : Ray Vaughn, J. White Did It

Musicians : J. White Did It

Label : Top Dawg Entertainment

Genre: Rap

Released On: May 19, 2025

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