MY TOWN Lyrics – Joey Bada$$ ft. Loaded Lux

MY TOWN Lyrics

[Intro]
(Kirk on the beat)
These n!ggas must’ve forgot, man
Ayo, y’all n!gga must’ve forgot, man (New York City)
Ha
Y’all n!ggas done f*cked up now, man (You are now rockin’)
Know I’m sayin’, are you stupid, are you dumb? (With Joey Bada$$)
Y’all n!ggas thought this was, man? (Yeah)
N!gga, f*ck a 20v1, n!gga, I take anybody (Ayo)
Take all y’all n!ggas, man (Grr)
Y’all n!ggas want? (Badmon)

[Verse 1]
Look, your days is numbered like days of summer (Uh-huh)
Rain or shine, I’ma bring that thunder
You talkin’ like I can’t see light, yeah, okay
The question is it, me v. you or you v. Ray?
Either way these L’s gettin’ passed out
Lights off, when I black out
Swervin’ in the lane with me, better crash out
You n!ggas light weight, I swear I ain’t evеn maxed out
No matter what stage thеy put you on, you still as*ed out (Ha-ha)
Your thirst for attention is sad
Nothing you could say could take away that sus shit you said on VLAD (Ayo)
I would say, I’ma get on your as*, but you might like that (Ayo)
I’m smokin’ all you n!ggas in the blunt, this the ‘Lyt pack
The irony for months, they told Joey to fight back
Now, every punch line, they need a crutch and a ice pack
I’m silly with the upper cuts, theres video proof (Facts)
F*ck y’all n!ggas still tweetin’ for? Get in the booth
I’m really the truth, got better off callin’ a truce
Better yet, get the general, I’m killing his troops (Grrt)
I put the last n!gga in a body bag
Now I just spun back to get his dog tag (Grrt)
Thought I told y’all, n!ggas ain’t f*ckin’ with me, rhyme for rhyme
They ain’t war ready, they more ready for Comic-Con (Haha)
Who want it with the rap phenomenon? Take a number, fall in line
I’ma get through the day fast like Ramadan
I’m the real bogeyman, y’all n!ggas should be afraid
F*ck takin’ y’all so long? You n!ggas seven days
All ’em shots y’all took and I ain’t even get grazed
Sonnin’ y’all, Kanan ain’t the only thing gettin’ raised
Triple entendre, don’t even ask me how I packed him out
Punch lines pack a Pacquiao (Boom-bow)
Tell ’em real bars is back in style (Bang)
And y’all n!ggas gettin’ smoked like Black & Milds, chill
I heard the streets call you “Quill”
No wonder why your feathers ruffle
Bird n!gga teach a man to scuffle (Teach ’em)
I’m a gladiator, word to Russel
Flexing on you n!ggas and I ain’t even had to move had to move a single—
The kid from West Brook’ got the whole West cooked (Uh-huh)
They jabs weak now, heard they workin’ on they best hook (Uh-huh)
Look, Ray Vaughn was so last week
Now, I’m hearing shit about some n!gga named “Ass Cheek”
Who wanna be the next victim?
How many Top Dawgs will it take to sick ’em? (I’m sick)
Tryna take a bite out the apple, it’s just forbidden (Ha)
I’ma break them down ’til the atom, this split ’em, when I hit ’em
With the finisher, eyes on the prize, hand on my fire, don’t make me pull it sir
Better be wise
‘Cause if it would occur, I’m dottin’ T’s and cross your I’s like Whitaker
The plot is now thicker than Vivica Fox is (Uh-huh)
I’m killin’ ya, really the villain, I’m back and restoring the feeling
Y’all niggas is really the fillings
Nothin’ but my childrens, these flows could break ceilings, knock buildings down
Told y’all n!ggas “I’m back,” I know you feel it now
And that was cute making it seem like you predicted my bars
When in reality you heard my freestyle since March
I’m calling your bluff, you wanna see me ’cause you runnin’ from Lux

[Verse 2]
When n!ggas who say they want power, ghost the script (That’s right)
Post the the battle, you don’t commit
But what I can do is put it on wax, you know it’s lit, hold up, n!gga
This b!tch skateboardin’ and doing tricks (Uh-huh)
Oh, I’m a shoo-in, I was just at Jordan with the kickflips (N!gga)
What we doing? East to the West, that’s crossroads for you and never we intersect (Woo)
Line for line and hashtag it (Uh-huh)
This ain’t ’bout good kids or badasses (Damn)
It’s when punks who talk like they want it, don’t have at its
It’s for the palace, pour the chalice, I’m a king, you a challenger
This light work and my aura on Aurora Borealis
Ignore the challenge, hype me up, n!gga, I want all the value
Cut it out, ’cause for the record we ain’t talking songs and albums or performing ballads just [?]
Or rhetorical talent, get swiped, at me, ain’t valid
Can’t chase ’em, so bank on ’em to come and get that check
Then he puts it all in the balance to fall over flat
Tried to climb the mountain and he broke his back
LA strips, players and six-fours with [lift?] chambers, how you switch up?
You ain’t hit us like mama, the whips raised in
My slip hangin’ a [?], [Raymon?] the kitchen, don’t miss
Thing in position, her kid came in here sniffing, I’m cookin though
This troll n!gga fakin, making window shop payments
I’m serious, I’m a mannequin show ’em, displaying
And he gon catch a fit he can’t hang with
Tee Grizzley, I’m big gaming, the Knicks head coach, I’m putting pain in
You been on the ropes (Woo)
That’s why you wear that ski mask, careers on a slope (Huh)
Your shit playin’ freeze tag, you been going for broke
End game, Joey out here lightin’ you up
N!ggas playin’ with your name
I’m just sayin’

[Bridge]
Shit, they thought it was a game, man
Shit, catch me court side, Knicks game, man
Huh, I ain’t playin’, man (Ha)
Yeah, that’s right, look (That’s right)

[Outro]
This the home of the 9/11, the place of a lost choppers (Yeah)
We still bangin’, n!gga, we ain’t never lost power
You now f*ckin’ with the BK Batman, Harlem assasain
Line ’em up, we toe-tagging, n!gga
Uh, welcome to New York City (Yeah)
Yeah, welcome to New York City (Yeah)
Uh, I’m from New York City
That’s right, I’m from New York City, n!gga
Uh (This what New York City sound like)
Respect that ho
Yeah, really like that
I’m really like that (Facts)
F*ck you n!ggas thought, man?
(Man, the Harlem assassin)
What happenin’?
From the birthplace of Michael Jordan
The home of Biggie Smalls, n!gga
The home of H-O-V, n!gga
Stain Wayne
Find somethin’ safe to play with, this ain’t a game
(Kirk on the beat)

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Meaning of this Song Lyrics
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Joey Bada$$’s “MY TOWN” song is a diss freestyle by Joey Bada$$, aimed squarely at his rivals in the rap game, particularly targeting artists affiliated with the Top Dawg Entertainment (TDE) label, such as Ray Vaughn and others. The song is raw, confrontational, and laced with clever wordplay, metaphors, and aggressive energy.

[Intro]
Joey Bada$$ sets the tone by announcing his return with confidence and aggression. He addresses the rap scene, saying people must’ve forgotten who he is. He warns his rivals that they’ve made a mistake underestimating him. The energy is intense, and he declares he’s ready to face multiple opponents at once, metaphorically and lyrically.

[Verse 1 – Part 1]
He starts by saying the end is near for his enemies, comparing their fate to the passing days of summer. He asserts that, no matter the circumstances, he’s always ready to bring intensity—his “thunder.” He takes a jab at someone who seems delusional about their own importance, saying it doesn’t matter who he battles; they’re all taking losses. He emphasizes that he doesn’t even have to go full force to beat them. His opponents are weak, and even on the biggest stages, they fail to impress.

[Verse 1 – Part 2]
Joey accuses his enemies of being attention-hungry and recalls a controversial or embarrassing interview one of them gave. He mocks them by saying he could get aggressive but jokes they might enjoy it, implying they’re soft. He refers to smoking them like a pack—both literally (weed) and figuratively (defeating them). He reflects on how he used to be underestimated but is now delivering powerful rhymes, silencing critics. He compares his punches to those of a boxer, referencing Manny Pacquiao.

[Verse 1 – Part 3]
Joey criticizes online rappers who tweet instead of stepping into the booth to actually rap. He claims they should surrender because he’s lyrically unbeatable. He references killing his enemies metaphorically and spinning back to collect their “dog tags,” implying complete domination. He mocks them for not being prepared for real rap battles, saying they belong more at Comic-Con than in the rap game.

[Verse 1 – Part 4]
He compares himself to the “rap phenomenon” and uses religious and cultural references like Ramadan to say he moves fast and with purpose. He’s the true boogeyman of rap—something his opponents should fear. He calls out the delay in responses from others, mocks their failed attacks, and references raising Kanan (a TV character) as a metaphor for raising the stakes and bringing up a younger generation of rappers he easily defeats.

[Verse 1 – Part 5]
Joey makes a triple entendre, referencing different layers of meaning in one punchline. He says his lines hit hard like a boxer’s punch, bringing back “real bars” in rap, which he thinks have been missing. He mocks someone called “Quill,” comparing him to a bird whose feathers are easily ruffled. He portrays himself as a warrior, not needing to physically move to dominate—just his words are enough.

[Verse 1 – Part 6]
He takes more shots at Ray Vaughn, dismissing him as old news and saying he’s ready for whoever is next. He references “Top Dawgs,” mocking the TDE label again, saying no matter how many they send, he’s ready to take them all on. He uses wordplay around “forbidden fruit” and breaking things down to their atomic levels, meaning he’s breaking down their arguments and personas to their smallest parts.

[Verse 1 – Part 7]
He warns his enemies to think twice before coming for him, because his precision and intensity are deadly. He name-drops boxing legend Pernell Whitaker and actress Vivica Fox in clever wordplay, suggesting his attacks are sharp and thick with tension. He elevates himself as the “villain” who brings back the essence of hip-hop. His flows are strong enough to metaphorically break ceilings and tear down buildings, indicating how impactful his bars are.

[Verse 1 – Part 8]
He addresses people claiming to predict his lyrics, saying they actually heard a preview of his freestyle and are now pretending they knew it all along. He accuses his rival of dodging a battle with another legendary rapper (possibly Loaded Lux), calling him out for being scared and not stepping up when challenged.

[Verse 2 – Part 1]
Joey points out that some rappers talk a lot about wanting power or fame but don’t follow through. They avoid real confrontations and serious competition. He says he’s putting all this on record, so it can’t be denied. He references a skater girl, comparing it to himself doing tricks—implying he’s effortlessly showing skill.

[Verse 2 – Part 2]
He continues comparing himself to someone doing kickflips (tricks), showing off his versatility and confidence. He mocks the West Coast artists who try to challenge him, saying they’ll never be on his level. He denies this is about personas like “good kids” or “badasses,” calling out fake tough guys who talk but don’t back it up.

[Verse 2 – Part 3]
He sees himself as royalty in the rap game, drinking from a king’s cup while challengers are just beneath him. His talent shines bright like the northern lights, making it impossible to ignore. He dismisses his rival’s challenge as weak, saying it doesn’t count because it’s not genuine or skilled.

[Verse 2 – Part 4]
He accuses his rival of chasing clout—trying to get attention for money instead of real respect. He imagines them falling flat when they try to step up to his level. He paints a picture of someone trying and failing to climb the ranks in rap, collapsing under pressure.

[Verse 2 – Part 5]
Joey makes more references to LA and street culture, mocking his rival for switching up their image. He paints himself as the seasoned artist, while his opponent is just playing a role, faking his way through the game. He says he’s a “mannequin” putting the rival on display, exposing his lack of authenticity.

[Verse 2 – Closing Lines]
Joey compares himself to Tee Grizzley and the Knicks head coach—someone who’s putting in work and leading with real strategy and passion. He says his opponent is already in trouble, wearing a ski mask to hide his shame, and his career is sliding downhill. Meanwhile, Joey is winning and lighting things up.

[Bridge & Outro]
In the final lines, Joey reminds everyone that he’s from New York City, a place with a deep and powerful history. He references 9/11, military helicopters, and staying strong despite adversity. He aligns himself with legends like Biggie and Jay-Z (HOV), emphasizing his roots and greatness. He closes with a final warning: this isn’t a game, and he’s not the one to play with.

Summary:

This track is Joey Bada$$ reclaiming his place in hip-hop. It’s a lyrical assault on his competitors—mainly artists from the TDE camp—filled with clever wordplay, cultural references, and aggressive declarations of superiority. He takes pride in his East Coast roots and positions himself as a torchbearer for real rap. The message is clear: Joey isn’t here to play; he’s here to dominate.

[Note: This is the possible meaning of this song, based on lyrics, words & tone. Every song Meaning and Summary we share or publish in this website only depend on lyrics analysis, not from Artist own perspective.]

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FAQ

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MY TOWN (MV)

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Audio Credits & Details

Artists : Joey Bada$$, Loaded Lux

Lyricist : Joey Bada$$, Kirk Knight, Loaded Lux

Musicians : Kirk Knight

Label : Joey Bada$$

Genre: Rap

Released On: May 19, 2025

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